我们都知道这种感觉。你在悲伤的夜晚失眠，或者在朦胧的周末清晨蹒跚而行，需要一些阅读的东西，而那一堆未读的书并不能阻止你。为什么不从Twitter和RSS的消防水龙带中休息一下，看看我们每周从网络上收集的关于技术、文化、媒体和未来的重要文章？当然，坐在Instapaper队列中你会感到内疚的还有一件事，但总比再次在Twitter列表上徒劳地拉好。
在封面上
据我们所知，数字革命在扼杀封面方面做得相当不错，一旦我们承认了这一点，克雷格·莫德（Craig Mod）就会展望未来。
@craigmod:Craig Mod-破解封面
The cover image may help quickly ground us, but our eyes are drawn by habit to number and quality of reviews. We’re looking for metrics other than images — real metrics — not artificial marketing signifiers. Blurbs from humans. Perhaps even humans we know! And within the jumble of the Amazon.com interface, the cover feels all but an afterthought.
论holopac
科切拉的全息图图帕克到底是什么意思？
新的调查：梅丽莎·格雷伯-所有人都盯着我，不是我
Tupac rapping about the halcyon days of the early 90’s may represent a bygone era, and yet Holopac epitomizes the way a generation has been primed to filter most experiences through a tweet, video, or status update (something the Coachella organizers surely banked on). It’s increasingly easier to watch an "exclusive" moment online, then close the tab with the satisfied belief that we too experienced it. We are no longer the protective owners of one-of-a-kind experiences.
在谷歌上+
还记得以前人们在推出谷歌新产品之前是多么兴奋吗？那波“我愿意为邀请而做任何事”前的歇斯底里？亚历克西斯·马德里加尔（Alexis Madrigal）认为，谷歌有办法为谷歌+（Google Plus）抓住这一点，他将其描述为“沙漠中的一座废弃城市”
大西洋：亚历克西斯·马德里加尔-谷歌如何在没有Google Plus的情况下击败Facebook
So, where are the neighborhoods where humans are already hanging out? Google has a variety of products that while not explicitly "social networks" could easily be thought of as places that help people "share," a la Facebook’s mantra. Just think about them all: Reader. Picasa. Scholar. Earth. Books. Blogger. Hell, even Zagat. It’s these already bustling communities that should form the core of Google’s next-level social offering.
在库克的苹果上
亚当·拉辛斯基（AdamLashinsky）介绍了蒂姆·库克（TimCook）经营苹果的方法。
《财富》：蒂姆•库克如何改变苹果-蒂姆•库克如何改变苹果
What shocked the Apple investors that day was that CEO Tim Cook popped into the room about 20 minutes into Oppenheimer's talk, quietly sat down in the back of the room, and did something unusual for a CEO of Apple: He listened. He didn't check his e-mail once. He didn't interrupt.
论计算机销售
借助计算机历史博物馆的一些令人难以置信的图像和旧广告副本，马修·**尔详细介绍了计算机是如何做广告的。
ars technica:Matthew Lasar-**大型机，而不是战争：20世纪60年代和70年代狂人是如何销售电脑的
"Speed, efficiency, economy, and reliability," were the standard buzzwords. But as computers got **aller, cheaper, and more powerful, ads encouraged c***umers to see them as more than just calculating machines. Pamphlets foregrounded the growing female labor force that ran them first as key punch operators and programmer assistants, then as programmers and computer buyers themselves.
在滚动条上
1997年：Alan Dix解释了为什么电脑滚动条经常出现在屏幕的右侧。
图形用户界面画廊指南：艾伦迪克斯-手在屏幕上
Why are scrollbars on the right, and is it the best place for them? There are good reas*** to think that the left-hand side may be the better choice, but in virtually every interface since the Xerox Star the scrollbar has appeared on the right-hand side.
你想在下周的版本中看到你最喜欢的吗？把它们发到@thomashouston或者在下面的评论中分享。
