我们都知道这种感觉。你在悲伤的夜晚失眠，或者在朦胧的周末清晨蹒跚而行，需要一些阅读的东西，而那一堆未读的书并不能阻止你。为什么不从Twitter和RSS的消防水龙带中休息一下，看看我们每周从网络上收集的关于技术、文化、媒体和未来的重要文章？当然，坐在Instapaper队列中你会感到内疚的还有一件事，但总比再次在Twitter列表上徒劳地拉好。

在instagram上

特珠科尔写了一个数字和日益社会摄影的奇妙崛起。

新调查：特珠科尔-斑点的东西：Instagram上的平卡索夫

We are left with optical discriminati*** and optical pleasures, and it is in this private space that the work regains its aura. In this sense, digital photography and social media, even though the tiny little screen can be irritating, are helping to introduce new criteria: there is no editioning, no signature, no date of printing. It will be a headache for curators in the future, but it’s a pleasure for the pure lover of the image: while lying in bed in the morning, you can see the latest work from a photographer you find interesting. The image comes to you.

在“活套”上

瑞安·约翰逊的《Looper》本周末上映，FILMCRITHULK对导演、漫画大会和电影业的现状发表了27000字的评论。是的，有一些破坏者。

EW:FILMCRITHULK-RIAN JOHNSON开启了循环

BUT ON THE OTHER SIDE OF THE EQUATION THERE ARE HIGH-CONCEPT FILMS THAT EXIST AS A PALE SHADOWS OF THE REAL INNOVATION. STUDIO PEOPLE ARE SO DESPERATE TO JUSTIFY THE PROJECTS THEY CHOOSE THAT THEY ARE WILLING TO SINK TO THE LOWEST COMMON DENOMINATOR OF BRAND-RECOGNITION. THEY THEN "INNOVATE" BY BACKWARDLY-PRODUCING A "NEW, CLEVER IDEA" FROM THOSE EXISTING CONSTRUCTS. SNOW WHITE AS A BIG ACTION FILM STARRING KNOWN-VALUE KRISTEN STEWART? SURE THING!

论电影

大卫·博德威尔（David Bordwell）写的是电影拉玛背后的历史，这是一种五六十年代的新奇电影技术。

电影艺术观察：大卫·鲍德威尔——电影的任性魅力

When This Is Cinerama opened at the Broadway Theatre in Manhattan on 30 September 1952, it presented itself as the ultimate package of new entertainment technologies. It was of course in color, which was still something of a rarity in motion pictures. It used stereophonic sound, with five speakers behind the screen and two in the auditorium. The screen itself was a wonder: it was seventy-five feet wide and about 23 feet high, bent in a 146-degree arc. That made the display span fifty feet. Later, some screens would be nearly a hundred feet long and over thirty feet high.

论拖曳

利奥·特莱纳讲述了一个故事，他遇到了跟踪他和他妻子的巨魔。

崔诺的眼睛：利奥崔诺-遇见一个巨魔。。。

I didn't mention it to my wife. Didn't see the point of worrying her. But then she joined Twitter to see what it was like and grew to enjoy it. It wouldn't have been immediately obvious to outsiders that we were man and wife. She made the mistake though of changing her profile to state that she was 'The long suffering wife of @LeoTraynor'. Not a good idea. She received a DM stating 'Your hu**and is scum. A rotten b*stard and you're a wh*re.' She laughed it off.

关于“tng”

这十年毁了任何一个字比接触？布莱恩·菲利普斯在看了133个小时的节目后，思考了下一代的遗产。

格兰特兰：布莱恩菲利普斯-计算机之爱

The Next Generation drew something like 20 million viewers a week in its heyday, practically an American Idol number, and the penetration of the show's keywords — energize, engage, Number One, I am Locutus of Borg, resistance is futile, make it so — was light-years beyond insane for a syndicated sci-fi show. But in a way, it's no wonder. The Enterprise crew was driving a misfiring IBM PC in the service of a quasi-neoliberal agenda, and at the same time, so were we.

你想在下周的版本中看到你最喜欢的吗？把它们发到@thomashouston或者在下面的评论中分享。